Thursday, December 31, 2020

Memorable Pours of 2020 - Jack Daniel's Single Barrel Barrel Proof


Straight away, one assumption is very safe to make about this post - there will be no complaining about low bottling proof. Just as the name Jack Daniel's Single Barrel Barrel Proof  leaves one linguistically satiated, the bottling proof does the same in terms of ethanol punch. Only two other whiskeys in the stash compete with this Jack in the potency department, both bourbons - Jim Beam's Booker's and Heaven Hill's Elijah Craig Barrel Proof - each of which often topping 65%+ ABV. While both are delicious, this Jack is entirely unique to its Kentucky siblings and as such is frequently my pour of choice when I settle in after dinner most nights.

I first sampled Jack Daniel's Single Barrel Barrel Proof in month 10 of our whiskey group's year-long tasting extravaganza. I was an immediate fan, but fully admit that this whiskey, for me, is impossible to enjoy neat. I must add water, sometimes a lot of water. Elusively, that quantity of water is often different - some nights it is a tablespoon, other nights upwards of half an ounce, but when I find the 'perfect' dilution, whoa momma, does this whiskey come alive. This is potentially controversial, particularly in some bourbon-biased areas of the Internet, but when I find that dilution sweet-spot in a pour of Jack Daniel's Single Barrel Barrel Proof, the experience not only rivals, but exceeds that of virtually all super-premium, nearly-impossible-to-find bourbons that are out there; to my tastes at least.

One downside to be aware of however, as the verbose name indicates, this is a single barrel product. A bottle you really enjoy may or may not be equaled by the next bottle you purchase (assuming it came from a different barrel of course). Thus far, I've enjoyed four bottles, each from a different barrel. While all four were fantastic, there was one that really stood out. Since I did not keep a sample of that star barrel, who's to say how trustworthy my nostalgia is. To combat nostalgia, beginning in 2019, if a single barrel product really curls my toes, I immediately transfer four ounces of it into a smaller bottle to keep archived away for future reference. Full disclosure - not all of those toe curling whiskeys remained so as I revisited them at later dates, almost certainly due to a disproportionate romanticization of them initially.

As for Jack's specifics, as I said in my initial impressions back in 2018, the barrel proof version is radically different than Old No. 7. This is a dense, mouth-filling whiskey. Caramel, charred oak and vanilla are certainly present, but so too is an amazing cooked corn, think corn pudding or creamed corn combined with the smell of sugar being torched atop a crème brûlée. For Jack purists out there, the hallmark smell and taste of banana is indeed there, but I'd say it takes a back seat to the corn, vanilla, and oak.

Throughout the bulk of 2020, my much better half and I typically spent late afternoons on weekends and holidays lounging in our home cocktail lounge (formerly known as a Florida room). Affectionately called the Snaggletooth Lounge (long story, perhaps another time), filled with Tiki and cocktail memorabilia, we'd sip away the final hours of the Sun's time with us for a given day. After a round (or two) of cocktails, I'd typically go grab a bottle of the good stuff, and pour an ounce to sit and contemplate life with. One such night, I poured a bit of the Jack and upon smelling the glass, my better half grew wildly enthusiastic. I took a sniff, and sure enough, she was right - there was a symphony wafting up from the glass. It smelled sweet, smokey, savory, complex, bold, but not obnoxious and certainly not harsh. She summarized it best - 'this smells like a world-class whiskey that is not here to waste anyone's time '. Oh how I agree.

Happy New Year!

Jack Daniel's Single Barrel Barrel Proof
Classification: Tennessee Whiskey
Country: United States of America
Region: Tennessee (Lynchburg: 35.285N, -86.368W)
Mash Bill: 80% Corn, 8% Rye, 12% Malted Barley
Strength: Varies by barrel, ~60-68% ABV (120-136° Proof)
Color: Natural Color
Filtration: Non-Chill Filtered
Maturation: Unknown Age (thought to be 6-8 years) in 100% New Charred Oak
Price: $64.99 (Most Bottle Shops)

Sunday, December 27, 2020

Memorable Pours of 2020 - Woodford Reserve



Well 2020 was certainly a year. I'll leave the superlative recaps of the year to other commentaries, but I do hope all have coped as well as can be expected in what was a remarkable year. As for me, while our extracurricular activities were greatly curbed, there was still a fair amount of hooch consumed in the household. Over the course of the following week or two, I'll post some quick blurbs on some of the pours that stuck out for me over the course of the year. 

I'll open with what some might consider an unlikely standout, but throughout the year, this seemingly 'ordinary' bourbon consistently reminded me that being rare and/or expensive guarantees hype, but not quality. If you were to scour many of the whiskey-centric corners of the Internet, you'd discover that Woodford Reserve is unlikely to garner any significant hype. Perhaps a victim of its early success being regarded as a 'boutique' bourbon or perhaps being widely available wherever spirits are sold, Woodford tends not to wake up the echoes of the whiskey enthusiast world. Owned and produced by Brown Forman, Woodford Reserve was first helmed by master distiller Lincoln Henderson who sought to create a bourbon that satisfied all tastes and had no emphasis in any one area. Woodford Reserve's website proudly shows a flavor wheel that highlights their bourbon touching every area of the wheel, with no single attribute dominating the experience.

It had been some time since I had a pour of Woodford, the bottle sitting in a distant, infrequently visited corner of the whiskey stash. But then the quarantine-centric days of the summer inspired a bout of cleaning and organizing which brought the bottle of Woodford out of hiding and into the glass. Sip after sip left me rather amazed at how tasty the bourbon was. Intrigued, I decided to taste Woodford alongside a handful of other favorite bourbons to determine if my enjoyment of Woodford was due to absence making the heart grow fonder or if Woodford really was bringing a gun to a knife fight. Time and again, I kept coming back to the Woodford - it really held its own against the competition for me. Side note: a silver lining to the quarantine was eliminating the need to drive anywhere which simultaneously opened up plenty of time to sample hooch.

Bottled at 45.2% ABV, Woodford is easily enjoyable neat, in fact, I don't even bother adding water. To me, Woodford sips perfectly just as it pours from the bottle. One secret to Woodford's success, to my palate at least, is just how well it tames the charred oak and wood astringency that is found in a lot of bourbons. The oak is really well controlled, which allows so many other flavors to emerge from the glass. All the classic bourbon hallmarks are there - brown sugar, caramel, vanilla. But there is so much more - oranges, cocoa powder, dried fruits (apple, raisins, apricots), and baking spices (clove and cinnamon).

Because nothing in life is perfect, Woodford does have a handful of shortcomings for me. Foremost, the finish is a tad too short. I would describe the finish as medium in length, it lingers for a bit, but oh how I would love it to linger longer. The second criticism is probably related to the first - the bottling strength. 45.2% ABV is good, but I'd personally prefer an even 50% bottling strength. While 45.2% ABV is perfect for sipping neat, the downside is there is not much room to play with when using in any application that will dilute the whiskey. A bit more proof would ensure robustness in cocktails and allow neat drinkers to adjust how they see fit. In recent years, Woodford has produced a 'batch proof' version of their bourbon bottled undiluted (typically in the 60 - 65% ABV range) which has earned heaps of praise on the Internet, but sadly, I've never sampled the batch proof personally. Perhaps one day...

Woodford Reserve
Classification: Straight Bourbon Whiskey
Country: United States of America
Region: Kentucky (Versailles: 38.125°N -84.854°W)
Mash Bill: 72% Corn, 18% Rye, 10% Malted Barley
Strength: 45.2% ABV (90.4° Proof)
Color: Natural Color
Filtration: Non-chill Filtered
Maturation: Unknown age in 100% new charred oak
Price: $29.99 (pretty much everywhere spirits are sold)

A few final footnotes for Woodford - The Woodford Reserve Distillery uses only traditional copper pot stills rather than the more-common column stills used at most bourbon distilleries. The finished bourbon however is actually a combination of this pot-distilled whiskey and column-distilled whiskey from Brown Forman's Old Forester/Early Times distillery in Shively, Kentucky. If you ever happen to be remotely close to Versailles, Kentucky it is absolutely worth the time and effort to visit Woodford Reserve. They offer a number of different tours, each easily worth the price of admission, and the grounds are truly spectacular.

Saturday, December 26, 2020

The Brooding Manhattan

Keeping up with the previous posts's theme, I return this holiday weekend with yet another concoction I first had at a Disney property. Located adjacent to Disney's Boardwalk Resort, the AbracadabraBar is a small space themed after a 1920s speakeasy, a favorite haunt of the magicians that work the boardwalk's various venues... or so the Disney story goes. While the theming story is a bit of Disney magic, the actual space is indeed well worth a visit - intricate and interesting decor in a fairly small space. The cocktail menu, in keeping with the theme, features many brown-liquor based cocktails - negronis, side cars, whiskey sours, and manhattans.

It was here at AbracadabraBar that I was introduced to a cocktail I'd never heard of - the black manhattan. After enjoying one (or three) on that trip, I returned home inspired to master the drink myself. 

Most, but not all, Manhattan recipes (black or not) call for rye, but I've found bourbon works to my tastes in this drink a tad better than rye. The next variable is the amaro - there is no standard amaro and in fact I am led to believe that the variance among amaros is quite high. Thus far I've used Montenegro Amaro with good results, but as soon as that bottle is finished, I'll be trying other amaros out of sheer curiosity.

Below I've listed two different proportions for a black manhattan that I came across on the Internet. The first is a 3:1 bourbon:amaro ratio, the second is a 2:1 ratio. Because I enjoy the herbal bitterness that the amaro brings to the drink, I tend to stick with the 2:1 version. If however that does not sound to your liking, give the 3:1 a whirl.

Ingredients
1.5 ounces (3:1 ratio) - 2 ounces (2:1 ratio) bourbon
0.5 ounces (3:1 ratio) - 1 ounces (2:1 ratio) amaro
2 dashes Angostura bitters
2 dashes orange bitters
Cocktail Cherry Syrup as desired

Composition
Because I garnish this drink with Luxardo cherries, I typically prep the garnish first and then put a small amount (~1/2 teaspoon) of the cherry syrup in the bottom of the cocktail shaker. Add all ingredients to the shaker, stir and taste. Adjust to your preference in terms of sweetness, booze, bitters, etc. 

Once the drink tickles your fancy, add ice to the shaker and stir until well chilled. Strain into your preferred glass. Here I deviate from tradition and serve in a double old fashioned glass with a large chunk of ice. Garnish with cocktail cherries.

Cheers to the holiday weekend(s) conclusion to 2020 - a truly remarkable year...



Tuesday, November 17, 2020

An Apple a Day

In the time before COVID, my much-better-half and I would routinely spend a weekend afternoon meandering around Disney Springs. The lap would start at Rick Bayless's Frontera Cocina for lunch and concoctions of an agave nature. Following lunch would be the traditional attempt to secure a Gideon's Bakehouse cookie, something that we had a ~50% success rate through the years as the sole place to procure the said cookie was the Polite Pig BBQ restaurant. So popular were these cookies, that staff at the Polite Pig took to randomly putting out trays of the cookies sporadically through the day as well as strictly limiting sales - one cookie per person. Despite these measures, the cookies routinely sold out within an hour of being displayed. Happily, I've read that Gideon's Bakehouse is opening a dedicated store for their baked goods at the Springs in the near future which should address the short supply of the cookies nicely.

Following the cookie hunt, but before concluding our day with the traditional late-afternoon dinner at Morimoto Asia, we always found ourselves swinging by both Raglan Road Irish Pub and Jock Lindsey's Hanger Bar for more libations, particularly their seasonal offerings. One such offering in the fall at Raglan Road was called Samhain Sangria - a punch made with Jameson's Black Barrel Irish whisky, apple cider, sauvignon blanc white wine, cinnamon syrup, and seltzer water. On paper, an interesting combination and one that I was reminded of when I saw the first jugs of apple cider appear in my local grocery store's cooler recently.

The cider sighting inspired a desire to not only reverse engineer the sangria, but to also devise a bourbon-based cider-cinnamon cocktail. After numerous weekends of trial and error, tinkering and sipping, I am proud to present not one, but two Fall-inspired libations. Quarantine does indeed provide ample time for self-improvement

Because both require a cinnamon syrup, let's start there. Thanks to the power of the Internet, I stumbled across a recipe that I felt worked well from Mr. Donkey Sauce himself (halved for my purposes):

Cinnamon Syrup
Ingredients
  • 1 cup of water
  • 2 cinnamon sticks
  • 3/4 cup of sugar
Composition
Place the water and cinnamon sticks in a saucepan and bring the water to a boil. Simmer for 10 minutes. After 10 minutes, remove the cinnamon sticks and stir in sugar. Continue to stir until sugar is fully dissolved. Allow to cool before using and strain as needed.

Now onto the drinks, first up Raglan Road's Samhain Sangria. Note, I only have the ingredient list of this drink from the restaurant's menu. The proportions you see below are to our tastes and most reminiscent of how we remembered the drink tasting. A happy consequence of this recipe was the discovery of Jameson's Black Barrel whiskey. Initially I purchased this whiskey because Raglan Road specifically calls for it, but after tasting a few pours of the whiskey neat, I am happy to report that I found the product quite tasty. Yes, it is still a 40% ABV blended Irish whiskey, so it will not be competing with a Redbreast, but it is an order of magnitude step-up from the standard Jameson's in terms of character and depth; a whiskey that is wonderful in cocktails but is also not entirely out of place in a snifter.

Samhain Sangria
Ingredients
  • 2.0 oz Jameson Black Barrel Irish Whiskey
  • 3.0 oz sauvignon blanc
  • 2.0 oz apple cider
  • 0.5 oz cinnamon syrup
  • seltzer (one to two ounces)
  • fresh cranberries, apple and orange - for garnish (optional)
Composition
In a cocktail shaker combine the whisky, wine, cider, and syrup. Add ice to shaker and stir well. You can pop the top on and shake as well, but I found the drink was better without any froth, so I preferred the stirring. Strain the shaker into an ice-filled glass of choice and top with seltzer, at least an ounce, but two is twice as nice.

Next up, the bourbon-based cider cocktail that I have been enjoying lately. I have yet to settle on a specific name for the drink, it has been called Quarantine Quencher, Falling into Self-Isolation, and the woefully uninspired Bourbon Cider; feel free to call it whatever you please.

Bourbon Cider
Ingredients
  • 2.0 oz Bourbon whiskey
  • 2.0 oz apple cider
  • 0.75 oz fresh lemon juice
  • 0.5 oz cinnamon syrup
  • 4 dashes orange bitters
Composition
In a cocktail shaker combine all the ingredients, stir and taste. Adjust the balance of the drink to your tastes, personally I liked a bit more lemon acidity than sugar sweetness. Also, the orange bitters can help cut the sweetness and introduce a lovely herbal citrus vibe, so feel free to add more or less to taste. Once the drink tickles your fancy, add ice to the shaker and stir well. Strain into a glass containing fresh ice and enjoy.

Bourbon Cider with a #SpoilerAlert for an upcoming post


Thursday, October 15, 2020

Spontaneous Writeup - Lagavulin 9-Year




Lagavulin 9 Year (Game of Thrones House Lannister)
Classification: Single Malt Whisky
Country: Scotland
Region: Islay (Islay: 55.636°N -6.126°W)
Mash Bill: 100% Malted Barley
Strength: 46.0% ABV (92.0° Proof)
Color: Unknown (suspect artificial coloring)
Filtration: Unknown (suspect chill-filtration)
Maturation: 9 Years in ex-bourbon barrels
Price: $29.99 (Lueken's Liquors)

Well well well, the bargains keep coming. First the Scapa 10 year for $32.00 and now this. Originally released to huge fanfare in the build-up to the final season of Game of Thrones, Diageo flexed its Scotch whisky portfolio depth by releasing a different malt for each of the show's major factions:

House Stark - Dalwhinnie Winter’s Frost
House Tully - Singleton of Glendullan Select
House Targaryen - Cardhu Gold Reserve
House Lannister - Lagavulin 9 Year Old
House Greyjoy - Talisker Select Reserve
House Baratheon - Royal Lochnagar 12 Year Old
House Tyrell - Clynelish Reserve
The Night’s Watch - Oban Bay Reserve

I am rather curious about the supply of these Game of Thrones whiskies, at least in my neck of the woods. In late 2018 through early 2019, store shelves were bombarded with the malts. Hailed as a one-time release, it was not surprising that as stores sold their stock, the shelves were not replenished. By the fall of 2019, most stores had cleared their inventory and life moved on. Then, suddenly and with no explanation, the Game of Thrones whiskies began popping back up in my local stores in the summer of 2020. Offering pure speculation, I'd say this was not due to Diageo releasing a second wave, rather it was distributors and/or the stores themselves holding back some of their stock on the off-chance the malts became 'collectible'. When the champagne wishes and caviar dreams of collectibility didn't pan out, the storage rooms were cleared out and the shelves repopulated (again, this is pure opinion and speculation).

Many of the Game of Thrones releases were well received by the various whisky critics, blogs, vlogs, and InstaTubers. Fans of Lagavulin particularly enjoyed this 9-year expression as it offered an interesting comparison to the distillery's standard 16-year version. Of the eight entries in the series, I personally found all but the Talisker version quite easy to come by and noticed prices remained stable through their initial run and into their reemergence this summer. This meant the Lagavulin's debut price in the $80ish dollar range remained consistent and a bit too rich for my blood. For me, I found it impossible to justify the $80 purchase of a 9-year old Islay malt when I typically score a bottle of 10-year Ardbeg for $50. Recently however, things changed drastically when a local retailer marked their remaining bottles of House Stark and House Lannister down to clearance prices. With the Lagavulin marked down to $30, resistance was futile, there was simply no reason not to bring this malt home. Impression time.

Nose
Peat, peat, peat. Once the nose acclimates to the peat, other aromas emerge - spearmint, vanilla, green apple.

Taste
Well the nose didn't lie - peat, peat and more peat. Not exactly shocking as one would expect peat to be front and center in a whisky from an Islay distillery. This is a damp campfire vibe in terms of smoke. Mild black pepper, a bit of salt/brine, gentle caramel sweetness. On occasional sips, a taste entirely reminiscent of peanut butter. There is a surprisingly dense/oily texture to this whisky; for perhaps misguided reasons, I was expecting this whisky to be severely filtered and stripped of a lot of its texture.

Finish
Medium to long. Unsurprisingly the peat continues, but the damp campfire transforms to a dry, smokey campfire. Zero astringency and near-zero tannic drying. Gentle sweetness accompanies the smoke. A subtle pine needle vibe as well. Slight bitterness on the tail-end of the finish, certainly not the dominant note, but it is present.

Overall
Simply impossible not to recommend at $30 for fans of Lagavulin or peated Islay malts. I'd go as far as to say this Lagavulin is worth picking up at a price-point in the $50-$60 range. To my tastes, the malt needed a few splashes of water to help tame a bit of alcohol prickle. The addition of water has no impact on the peat level, but it does open up some interesting fruit and spice notes.

Back in January of this year, I tasted both of Lagavulin's neighbors in a side-by-side comparison. It would be a dereliction of duty not to repeat that tasting, this time with the 9-year old Lagavulin joining the party. Look for that in the coming winter months.... (did I just imply winter is coming??) 

Tuesday, October 6, 2020

Scapa 10 Year - An Impromptu Tasting



Scapa 10-Year (Gordon & MacPhail)
Classification: Single Malt Whisky
Country: Scotland
Region: Highlands (Orkney: 58.964°N -2.985°W)
Mash Bill: 100% Malted Barley
Strength: 43.0% ABV (86.0° Proof)
Color: Natural Color
Filtration: Non-chill filtered
Maturation: 10 Years in unknown casks
Price: $32.00 (ABC Fine Wine & Spirits)

tl;dr summary - A thoroughly enjoyable malt whose positive impression might have been exaggerated by the low expectations I entered the experience with. Fruit, gentle oak, pepper spice, and an unexpectedly long and enjoyable finish from a whisky whose proof would have you expecting the exact opposite. A malt that holds its own with others at its retail price point, but exponentially outperforms at its clearance-sale price point.

In a previous professional lifetime, I spent a significant chunk of time in the great northern state of Alaska. Due to the nature of the work, my colleagues and I were dispatched to distant corners of that wild state for long stretches of time, each trip typically lasting three to six weeks. While Anchorage is certainly a modern city by any measure, it only served as a layover point for our travels - a place where the large 757 or 767s that shepherded us from the 'Lower 48' deposited us and where the small Dash-8s then whisked us off to our remote final destinations.

A colleague and dear friend of mine once remarked that the parts of Alaska we were visiting were as close to going back in time as is possible. Indeed, during my years of travel up north, departing Anchorage also meant a departure from cellphone service and broadband Internet connectivity. So secluded were our final destinations, that our typical living accommodations were only connected to the civilized world by a dirt road and an emergency-use-only satellite phone. 

It is a staggeringly beautiful state; huge mountain ranges running straight to the sea - as though Colorado was situated directly on the Pacific Ocean. While my colleagues and I deployed to one of three possible regions in Alaska, I spent the lion's share of my time in two of the three. One was south of Anchorage and coastal. The other was north of Anchorage and a bit more tundra. 

It should be noted that we typically visited in the winter months - when the sun would rise at 11ish in the morning and set a few hours later by 2ish in the afternoon. Weather-wise, the coastal location was capable of wildly variant conditions, but the overwhelming majority of days were cold, windy, and rainy. Often times, the rain was more horizontal than vertical and you had a coin flip's chance of the rain crossing over to snow and sticking to the ground. The tundra location on the other hand was more stable in terms of weather, but it was an order of magnitude colder than the coastal location. It was here that I experienced what double-digit negative temperatures, ambient, not wind-chill adjusted, feel like (spoiler alert - <expletive> cold). There was no coin-flip in the tundra - if precipitation was in the forecast, it was automatically snow that not only stuck to the ground, but piled high and wide. 

The work in Alaska was typically stressful - ambitious goals were typically accompanied by even more ambitious deadlines. One of the Big Dogs (I'd say the biggest dog at one point in time) of the whole Alaska project used to tell all the worker bees how lucky we were to be working where we were. "Y'all should be thanking me, one day you'll be sitting around a fireplace telling your grand children all about your wild Alaskan adventures" he'd proclaim, particularly when we'd begin to gripe about time away from home. 

With hindsight, I can say the Big Dog was indeed correct on that count. I often find myself reflecting back on those Alaskan days and nights with fond memories. Granted, memories tend to filter out a lot of the stress and angst one actually felt at the time, but the work was particularly satisfying. Meeting those ambitious goals (not necessarily the deadlines) always resulted in a tremendous sense of satisfaction for the whole team. And speaking of the team, many of my colleagues became far more than just co-workers, they are people I developed a great deal of personal and professional respect for. Despite most of us now being scattered across different projects and companies, we remain in contact, we remain friends, often gathering to share a meal, a frosty libation, and talk about what's both new and old in our respective lives. 

I take this reminiscent detour because the whisky I am currently enjoying comes from the second-most northern distillery in Scotland - Scapa. A half-mile to the north of Scapa lies Scotland's northern-most distillery - Highland Park. Both distilleries call Orkney home and the Scapa distillery is located at a whopping 58.964 degrees of north latitude. For comparison, the most northerly Alaskan location I worked from, the tundra location, was 58.740 degrees North, a mere ~15.5 miles difference (spherical distance in latitude only). Researching and digging into Scapa, pictures of both the distillery as well as Orkney have stirred plenty of nostalgic feelings in me - from a terrain perspective, Orkney looks damn near identical to what I experienced in Alaska.

Established in 1885, Scapa remained in operation until 1994. For ten years, the distillery sat unused and and appeared to be heading for demolition. Instead, in 2004 then-owners Pernod Ricard decided to rebuild and reopen the distillery and whisky began to flow again shortly thereafter. By production output standards, Scapa is a small distillery - just two stills (one wash, one spirit) and ~1 million liters of annual output. For comparison, Glenfiddich operates 32 stills yielding ~13 million liters of output. All of this to say it's not surprising that Scapa only offers one official label, a non-age stated expression named 'Skiren'. 

What I am enjoying is not officially offered by Scapa. Instead it is offered by the independent bottling company Gordon & MacPhail. The label for this particular malt indicates the whisky in my possession was bottled in 2015, which means it was distilled in 2005, shortly after Scapa's reopening. My understanding is that Gordon & MacPhail purchased this whisky as new-make spirit and had it barreled into a barrel of their choosing. From here, the details are a bit murky as Gordon & MacPhail claim their barrels can be aged either at the source distillery or in warehouses owned by Gordon & MacPhail in the UK.

Regardless, it is important to note that while this is certainly Scapa whisky, it might, and most likely does, taste different than the official bottling of Scapa. This is the allure of independently bottled whisky - unique twists on well-established favorites can often be found. There is a risk of course that the independent offering falls short of the official offering, but this in my experience is rare. To date, for me, independently bottled malts have been whiskies that are comparable to their official counterparts in terms of quality but different in overall experience, think a bit more herbal or a bit sweeter. If you are a fan of a particular distillery, I'd recommend giving an independent offering from that distillery a shot, especially if the independent is bottled at a higher proof than the official offering.

As for this specific bottle, it's a bottle that I have seen sitting on the shelf of a local store for at least two years. My personal curiosity was piqued when I first saw the bottle, knowing the malt hailed from a remote distillery that not only happened to be in close geographical proximity to a personal favorite distillery, but whose location tapped into a strong sense of personal nostalgic lore. Two critiques kept me from purchasing through the years: 1) it was bottled at a standard 43% ABV and 2) the retail price was a lofty $63.99. On a recent Oktoberfest beer hunting trip however I noticed the bottle had been placed on the clearance table with a too-good-to-pass-up price of $32.00; there was no saying 'no' at that price. So how did the bargain-basement find fare? Impression time.

Nose
Green Apple, white grapes, vanilla, peach, watermelon candies. An A+ nose - definitely not a mega-aged malt, its youthfulness is apparent, but so too is a myriad of delightfully pleasant aromas. If only other 'younger' malts had this aroma.

Taste
Crisp, clean, gentle chili spice. Fruit and grain, mild sweetness. Gentle oak, zero char. No prickle or alcohol harshness. Unlike its Orkney neighbor (Highland Park), not a trace of peat to be found. There are no rough edges here, I'd feel safe in saying this malt spent ten years in a quality barrel with minimal shortcuts taken during its maturation. 

Finish
Medium length finish nudging towards long. Zero astringency/tannic drying. Warm chili spice tingle. Gentle oak, more oak on the finish than the smell/taste. Shocking how long this finish is given its 43% strength.

Overall
Straight away, I'll say this is far more tasty and enjoyable than I was expecting for a 10-year 43% malt. I find very little to complain about here - it is a quintessential Scotch whisky experience to me - barley, grain, a bit of sweetness, gentle oak, and a crisp, clean, straightforward taste. Offering up a pure guess, I'd say this whisky was matured in an ex-bourbon cask as there are zero traces of sherry notes or that 'twang' I get from European/French oak. This whisky is proof that long maturation periods are not mandatory for a quality experience. I get the sense that both the distillate and the barrel were produced in accordance to lofty quality standards. This whisky left me profusely wondering why other 43% whiskies cannot deliver such an outstanding experience in smell, taste, and finish... Well done Scapa and Gordon & MacPhail!

Wednesday, September 9, 2020

Redbreast Lustau Edition



Redbreast Lustau Edition
Classification: Single Pot Still Irish Whiskey
Country: Ireland
Region: County Cork (Midleton: 51.913°N 8.170°W)
Mash Bill: 100% Barley (mixture of malted and un-malted barley)
Strength: 46.0% ABV (92.0° Proof)
Color: Unknown (Internet speculation claims natural color)
Filtration: Unknown (Internet speculation claims non-chill filtered)
Maturation: No Age Statement (distillery claims 9-12 years in ex-bourbon and ex-sherry then 1 full year in first-fill Oloroso sherry from Bodegas Lustau in Jerez, Spain)
Price: $79.99 (Total Wine)


Overview

Well friends, I'm afraid I have used you as pawns. As I've mentioned a few times in various entries, I generally have four requirements when deciding to purchase a new/unknown whiskey - 1) strength greater than 43%, 2) non-chill filtered, 3) natural color, and 4) feature an age statement. While none of these are absolutely mandatory, I do try to avoid betraying these criteria as doing so in the past has yielded some disappointing duds.

But here's the rub - for the past year I've genuinely enjoyed Redbreast's 12-year cask strength whiskey. Outstanding pour after outstanding pour led me to purchase their 15-year variant which also proved to be utterly delicious (and expectedly featured a bit more oak than the 12-year). And so, totally enamored with the 12 and 15 year variants, I began to wonder about Redbreast's Lustau Edition. Technically, Redbreast's Lustau Edition only satisfies one of my four requirements (strength > 43% ABV) and so time and again I resisted the urge to purchase. Granted, very reliable and trustworthy Internet sources indicate the whiskey is indeed natural color and non-chill filtered, but since there is nothing on the label, box, or producer's website confirming this, I cannot proclaim conclusively either. 

Regardless, the striking orange box of the Lustau Edition beckoned and seduced me trip after trip to my favorite bottle shops over the previous six months. Many times I would grab a box only to return it to the shelf.

"It has no age statement"

"Why don't they say if it's non-chill filtered"

"It costs almost as much as the 12-year cask strength version, just stick with that"

Oh how i tormented myself. But then a moment of genius - what better way to honestly assess and experience a whiskey of mysterious pedigree than to send blind samples to the whiskey tasting group. And because I would be purchasing the whiskey on behalf of the group, not solely for personal consumption, those four pesky criteria can justifiably be shelved! Of course facilitating such a tasting implies I too would get to play along, but that's neither here nor there, especially when you are grasping for any remotely applicable rationale to break your self-imposed rules.

So thank you malt mates - your presence on my mental chessboard provided the check and mate in bringing home a whiskey that I have long wanted to try. Now the question is - was Redbreast Lustau Edition worth all the mental gymnastics....

Officially the youngest offering from Redbreast, the Lustau Edition begins life just as all Redbreast whiskeys do - single pot still Irish whiskey that is sent to both ex-bourbon and ex-sherry barrels for maturation. According to Redbreast's website, the Lustau Edition is created by taking 9-12 year old barrels of each ex-bourbon and ex-sherry, blending them together, then transferring the blend to first-fill ex-Oloroso sherry barrels from the Bodegas Lustau to mature for one additional year.

Tasting Impressions


“The newest addition to the Redbreast family, Redbreast Sherry Finish Lustau Edition offers fans a new way to experience our signature sherry taste, thanks to an old friendship. Born of a unique collaboration between the Bodegas Lustau and the Midleton Distillery, Redbreast Sherry Finish Lustau Edition is initially matured in traditional bourbon and sherry casks for a period of 9-12 years. It is then finished for 1 additional year in first fill hand selected sherry butts that have been seasoned with the finest Oloroso sherry from the prestigious Bodegas Lustau in Jerez. We are confident Redbreast fans will enjoy this new angle on Redbreast’s beloved sherry character.”

Group Impressions

A mighty thank you to all who played along for this tasting. Each and every time, I am continually amazed and delighted by the group's impressions of all the whiskeys we have tried together. Yet again, the group zeroed in on a consensus regarding many aspects of this whiskey - alcohol prickle (to a surprising degree), wood, caramel, and two tasters even picked up on the same candy apple vibe. In addition there was nearly a complete consensus that water added to the enjoyment of this whiskey but at the cost of reducing the whiskey's vibrancy. 

Interestingly, many thought this whiskey was American - bourbon or blended. Wagering a guess, I'd suspect this was due to the large oak influence on this whiskey, typically a safe indication of American origin. Bravo to Carol Baldwin though - while she thought it might be a bourbon, she also tossed out the possibility that it was an Irish whiskey and an Irish whiskey it was indeed. 

Michael Doheny
First sample was taken straight. The pour had a bright, inviting smell and a soft amber color. The taste was reminiscent of the air at a carnival, with wisps of angry candy apples and earth rolling about the tongue. The flavor was light and airy, with a slight numbing of the tongue, triggering my mouth to water, as I finished off the sample.

The second tasting was taken with ice. The smell was sharper, with more prominent notes of honey, but more fleeting than the previous sample. There was virtually no burn at all with the introduction of the ice. The flavor was muted, but distinct.

I would guess low to medium strength well crafted Blended American Whiskey

Zeus
Appearance: Light amber. Seemed very wet on the glass, took a while for the legs to form.

Smell: BURN! Very woodsy smell. Cedar. Maple. Cinnamon? A hangover if I drank this in excess. Getting ready for a wallop on this due to the high alcohol smell.

Taste: SMOOTH! Damn it nose, you failed me again! Sweet. Not overpowering, light on taste.

Finish: No major after burn. Maple aftertaste. Stays warm in my throat so it's definitely high proof.

General Thoughts: This is really nice. I'm thinking this is a bourbon. Adding ice smoothed this out even more. Despite its apparent high proof the flavor is not overwhelming. I can drink a lot of this in a sitting and not feel the need to move on to something else.

Oh whiskey, if I find out who you are and buy a bottle I might be drinking too much of you in a night. Then again I say that to all the sexy whiskey's. My liver is such a tease.

Guess: bourbon whiskey

Apollo
This one had the look of a decent whiskey. It was somewhat dark and had long legs. Taking a sniff revealed some alcohol smell, but also a hint of fruitiness and caramel.

The taste was not bad at all. It was hard to pick out individual flavors but I thought it tasted pretty close to how it smelled. It had a little bit of a caramel taste. There was a fairly long tongue-tingle but the flavor didn't really change much during this phase. So there was not a particularly distinctive finish.

My overall feeling is that this is a pretty good whiskey that I wouldn't mind drinking regularly. I still prefer my old standby (Glenfiddich 12 year), but this was not bad at all. It didn't really make a big impression on me, but it was perfectly fine.

Jonathan Quayle Higgins
Nose
Brown sugar, vanilla, barley sugar, green grass, candy apple, hazelnuts

A sharp alcohol prickle if you smell too deeply or for too long

Water calms the alcohol prickle/punch significantly. Post-water, I start to detect red fruit, cocoa powder, vanilla syrup, almond syrup

Taste
Barley, fig, gentle clove/ginger spice, almonds. A bit of that ‘twang’ I associate with French oak influence. Occasionally I get an iodine/bandaid vibe, perhaps a bit of pencil shavings/graphite. This is not a consistent impression for me though, so I am not convinced it is an actual component of the whiskey’s experience. 

Sipped neat there is a far larger youthful ethanol punch than I’d expect. Adding water helps tame the fire but use caution here - you can easily add too much water which washes out what comes next, the finish.

Finish
Oak, mild fruit (plum/apricot) sweetness, almond, spice (clove). The finish is medium length when sipped neat, but frustratingly short when too much water is added. Neither finish, neat or with water, is drying.

Overall
Hmmmmm, I am not all that enamored with this whiskey. For me, the aroma is far and away the best part of the experience with this whiskey. It has appealing characteristics, but I feel I set the bar too high due to my unbounded enjoyment of other Redbreast offerings. 

In my opinion, this whiskey tastes a bit too young. I know Redbreast say this is 9-12 years old plus another year on top of that in the Lustau barrels, but this whiskey tastes younger, hotter, feistier than its standard 12-year counterpart. Water helps tame the prickle, but care must be taken, adding too much water diminishes the vibrancy of the flavors and also radically shortens the finish.

Through pure happenstance, I did stumble upon a weird compromise with this whiskey - splitting a pour into two parts. The first part I’d enjoy with water, the second part I’d enjoy neat. Acclimating my palate to the prickle with a slightly diluted pour really led to a far greater enjoyment of a neat second pour. Of course, the idea of splitting a nightly pour into two parts is a bit annoying. Personally, there are many nights, I just want to pour, sip, enjoy, and not worry about ratios and adjustments.

In the end though, regardless of ratios and adjustments, I just don’t enjoy the Lustau Edition of Redbreast as much as I enjoy their 12-year old version. I still have yet to try Redbreast’s 21 or 27 year old expressions, but for now, the 12-year will remain a staple on my shelf and a constant go-to whiskey.

My negatives for this whiskey:
- Punchier than expected alcohol prickle. It tastes younger than Redbreast’s 12 year offering despite purportedly being very close in terms of age.
- Nose promises a better taste and finish than what is actually delivered
- Finish could be longer

My positives for this whiskey:
- Delightful nose - barley and fruit sweetness accentuated by that classic fresh green grass smell of single pot still Irish whiskey. With time and water, cocoa, almonds/hazelnuts, and vanilla appear, what an aroma!

Carol Baldwin
Appearance: Golden honey color; thin legs quickly appeared.

Smell: Sharp, alcohol. Resin. Warm Oak. Soft butter caramel.

Taste: Sharp alcohol, very sharp. Woody and tannic. Hints of soft caramel. Numbs the tongue so that it's hard to taste the flavors after a few sips.

Finish: Lingering Alcohol finish. Tannic. Tingles on the tongue and warms the throat.

General Thoughts: Straight up the experience was very sharp, the alcohol flavor is forefront and the tannic qualities tingle and numb the tongue. The warm wood still comes through slightly however. Using a proper whiskey glass that allows you to experience the nose along with the taste is ideal for this whiskey; for some of the nuances, the soft caramel and the complexity of the woods are best experienced through the nose. Adding a splash of water did open up the scent a bit more.

Guess: leaning towards bourbon, but also could be an Irish whiskey